• Home
  • Adult Lessons
  • Lessons for Children
  • Testimonials
  • Sheet Music / TABs
    • A Major Pull-Off
    • A Minor Pull-Off
    • Adagio in E Minor
    • Afternoon Descending
    • Allegretto in C - Opus 44, No. 2
    • Allegretto in E Minor
    • Allegretto in C
    • Allegro in A Minor
    • Allegretto in G
    • Allegro Spiritoso Opus 1, No. 10
    • Andante in A Minor
    • Andante in E
    • Andantino in C
    • Andantino Grazioso
    • Aurora
    • Blackbird
    • Bolero
    • Bulerias
    • Bushi
    • Canon
    • China Star
    • Copla
    • Country Dance, Opus 127 No. 1
    • Country Dance, Opus 127 No. 4
    • Country Dance, Opus 127 No. 5
    • Country Dance, Opus 127 No. 12
    • Divertimento - Opus 40, No. 6
    • Dos Pedasos
    • Double Hammer Waltz
    • Elephant, Elephant
    • Estudio in A Minor
    • Estudio sin Nombre
    • Estudio sin Nombre (Intro)
    • Estudio Techno
    • Falling Snow
    • The Flight of Icarus
    • Lamento Gitano
    • La Folia (variation)
    • Forty-Two Degrees
    • The Hunt
    • Inclinado en la Tarde
    • Fourth & Five
    • Inquieto
    • Leccion 58
    • Leccion 61
    • Leccion 62
    • Low E Legatos
    • Lower Neighbor
    • Lullaby
    • La Lunita
    • Major Slurring
    • Malaguena
    • Michelle
    • Minor Slurring
    • Minuet in G
    • Minute Study
    • Moderato in G
    • Moon in Pecan Tree
    • Moorish Danse
    • Ninito
    • Ninth Waltz
    • Nocturne
    • One Step Forward
    • Pagoda Sunrise
    • Pamplona
    • Pedasos
    • Pequeno
    • Pequeno Tarantela
    • Por la Tarde
    • Promenade
    • Rainsong
    • Romance
    • Romance in E Minor
    • Sonatina in Am
    • Song of the Desert
    • El Sueno Ultimo
    • Third Waltz
    • Three of a Kind
    • Valse in G
    • Waiting for Mu Shoo
    • Waltz in C
    • Waltz in E
    • Waltz in Em
    • Water Downriver
    • Water & Light
    • Yesterday
  • Techniques & Tips
    • Anticipatory Replacement Fingers
    • "Artificial" Harmonics
    • Ascending Slurs (Hammer-Ons)
    • Bar Chord Basics
    • Bar Chord Forms>
      • Bar Chord Forms (Major & Minor)
      • Bar Chord Forms (Dominant 7)
      • Bar Chord Forms (Major 7)
      • Bar Chord Forms (Minor 7)
    • Better Bar Chords
    • Better Chord Transitions
    • Better Harmonics
    • Block Chord Accompaniment Patterns
    • Block Chords
    • Building Dominant 7 Chords
    • Building Major & Minor Chords
    • Building Open Chords on the Fretboard
    • Common Fingers
    • Descending Slurs (Pull-Offs)
    • The Free Stroke with "P"
    • Guide Fingers
    • Guitar Anatomy
    • Harmonics
    • Holding the Guitar
    • How to Change Strings
    • Introduction to Arpeggios
    • Introduction to the Left Hand
    • Introduction to the Right Hand
    • Introduction to Strumming
    • Introduction to Tuning
    • Left Hand Position
    • Open Chords>
      • Open Chords (Major & Minor)
      • Open Chords (Major 7)
      • Open Chords (Dominant 7)
      • Open Chords (Minor 7)
    • Pedal Point with "P" & "I"
    • Relative Positioning
    • Replacement Fingers
    • Rest Stroke Alternation
    • Sequential Preparation
    • Shifting
    • String Assignment
    • String Crossing
    • String Names
    • Strumming Patterns
    • Tuning With Harmonics
    • Unison Tuning
  • Contact
TampaGuitarLessons.com

Guide Fingers (GF's)

Guide Fingers are fingers which remain on the same string, but move to a different fret.  They are helpful because
they provide a physical vehicle to move from one position to another, guaranteeing that the guide finger will end up (stay) on the correct string.  Guide fingers are indicated by a hash mark in front of the finger number.


Example 1
Picture
Notice how the third finger has traveled from the D on the last beat of first measure to the E on the first beat of the second measure.  A guide finger is again employed when the third finger travels back to the D on the second beat.



Guide Fingers may also be useful when changing from one chord to another. 
In the following example, note that both chords have the first finger on the 3rd string.

Example 2
Picture
Picture
To pass from the E to the D, remove the second and third fingers, leaving only the first finger on the third string. 
Now, guide the first finger from the first fret to the second. 
Finally, form the rest of the D with the second and third fingers.


Like Common Fingers, we can also create guide fingers if we get a little creative (no pun intended).

In Example 3A, these two chords have no opportunity for a guide finger:

Example 3A
Picture
Picture

But if we re-finger the D, we can create a guide finger on the first string:

Example 3B
Picture
Picture
Now, to change chords from the D to the G, clear the second and fourth fingers
and guide the third finger from the second fret to the third. 
Finally, form the rest of the G chord with the first and second fingers.