• Home
  • Adult Lessons
  • Lessons for Children
  • Testimonials
  • Sheet Music / TABs
    • A Major Pull-Off
    • A Minor Pull-Off
    • Adagio in E Minor
    • Afternoon Descending
    • Allegretto in C - Opus 44, No. 2
    • Allegretto in E Minor
    • Allegretto in C
    • Allegro in A Minor
    • Allegretto in G
    • Allegro Spiritoso Opus 1, No. 10
    • Andante in A Minor
    • Andante in E
    • Andantino in C
    • Andantino Grazioso
    • Aurora
    • Blackbird
    • Bolero
    • Bulerias
    • Bushi
    • Canon
    • China Star
    • Copla
    • Country Dance, Opus 127 No. 1
    • Country Dance, Opus 127 No. 4
    • Country Dance, Opus 127 No. 5
    • Country Dance, Opus 127 No. 12
    • Divertimento - Opus 40, No. 6
    • Dos Pedasos
    • Double Hammer Waltz
    • Elephant, Elephant
    • Estudio in A Minor
    • Estudio sin Nombre
    • Estudio sin Nombre (Intro)
    • Estudio Techno
    • Falling Snow
    • The Flight of Icarus
    • Lamento Gitano
    • La Folia (variation)
    • Forty-Two Degrees
    • The Hunt
    • Inclinado en la Tarde
    • Fourth & Five
    • Inquieto
    • Leccion 58
    • Leccion 61
    • Leccion 62
    • Low E Legatos
    • Lower Neighbor
    • Lullaby
    • La Lunita
    • Major Slurring
    • Malaguena
    • Michelle
    • Minor Slurring
    • Minuet in G
    • Minute Study
    • Moderato in G
    • Moon in Pecan Tree
    • Moorish Danse
    • Ninito
    • Ninth Waltz
    • Nocturne
    • One Step Forward
    • Pagoda Sunrise
    • Pamplona
    • Pedasos
    • Pequeno
    • Pequeno Tarantela
    • Por la Tarde
    • Promenade
    • Rainsong
    • Romance
    • Romance in E Minor
    • Sonatina in Am
    • Song of the Desert
    • El Sueno Ultimo
    • Third Waltz
    • Three of a Kind
    • Valse in G
    • Waiting for Mu Shoo
    • Waltz in C
    • Waltz in E
    • Waltz in Em
    • Water Downriver
    • Water & Light
    • Yesterday
  • Techniques & Tips
    • Anticipatory Replacement Fingers
    • "Artificial" Harmonics
    • Ascending Slurs (Hammer-Ons)
    • Bar Chord Basics
    • Bar Chord Forms>
      • Bar Chord Forms (Major & Minor)
      • Bar Chord Forms (Dominant 7)
      • Bar Chord Forms (Major 7)
      • Bar Chord Forms (Minor 7)
    • Better Bar Chords
    • Better Chord Transitions
    • Better Harmonics
    • Block Chord Accompaniment Patterns
    • Block Chords
    • Building Dominant 7 Chords
    • Building Major & Minor Chords
    • Building Open Chords on the Fretboard
    • Common Fingers
    • Descending Slurs (Pull-Offs)
    • The Free Stroke with "P"
    • Guide Fingers
    • Guitar Anatomy
    • Harmonics
    • Holding the Guitar
    • How to Change Strings
    • Introduction to Arpeggios
    • Introduction to the Left Hand
    • Introduction to the Right Hand
    • Introduction to Strumming
    • Introduction to Tuning
    • Left Hand Position
    • Open Chords>
      • Open Chords (Major & Minor)
      • Open Chords (Major 7)
      • Open Chords (Dominant 7)
      • Open Chords (Minor 7)
    • Pedal Point with "P" & "I"
    • Relative Positioning
    • Replacement Fingers
    • Rest Stroke Alternation
    • Sequential Preparation
    • Shifting
    • String Assignment
    • String Crossing
    • String Names
    • Strumming Patterns
    • Tuning With Harmonics
    • Unison Tuning
  • Contact
TampaGuitarLessons.com

Block Chords

When it comes to the right hand, there are three methods of playing chords: Strumming, Arpeggiation, and Block Chords.  Block Chords are played by the individual right hand fingers (including "p") playing four strings simultaneously.  In most cases, "i", "m", and "a" play the 3rd, 2nd, and 1st strings respectively while "p" plays the root of the chord (the note for which the chord is named).  This is sometimes known as a full plant because the fingers and thumb plant themselves on the strings before playing them.

It is important to note that this is the only occasion when "p" and the right hand fingers touch the strings simultaneously.  When playing Block Chords,  both "p" and the right hand fingers play Free Strokes at the same time while the hand itself remains still.

Right Hand before playing a Block Chord:
Picture
Right Hand after playing a Block Chord:
Picture

It is also possible to separate these two movements so that the bass note precedes the rest of the chord.  To do
this, begin with "p" on the bass string and "i", "m", and "a" in the hand, as if they have already played.  Your hand should look like this:
Picture
Now, simultaneously play "p" and return the fingers to their respective strings. 
Now your hand should look like this:
Picture
Next, simultaneously play the fingers while returning "p" to the bass string.  As a result of these actions, your
hand should now be in the same position as it was when you began:
Picture
Note that each time you move, there are two movements occurring simultaneously.  In the first movement, "p" is playing while "i", "m", and "a" are returning to their strings and in the second movement "i", "m", and "a" are playing while "p" is returning to its string.

After mastering this lesson a natural progression would be to study the Introduction To Arpeggios

Copyright © 2011 by Thomas Coffey     All Rights Reserved     Internaitonal Copyright Secured