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Major
Minor
Dom 7
maj7
min7

Other Left Hand Lessons:    Introduction To The Left Hand    Common Fingers    Guide Fingers    Sequential Preparation    Left Hand Position    Replacement Fingers    Anticipatory Replacement Fingers    Open Chords    Ascending Slurs    Descending Slurs    Shifting    Relative Positioning     Bar Chord Basics     Better Bar Chords

 

Bar Chord Forms

You may wish to review Open Chords and Bar Chord Basics before continuing with this lesson.

 

Click a button for Bar Chord Forms of the following qualities:

Major     Minor     Dominant 7     maj 7     min 7

 

Bar Chord Forms are based on the shapes of Open Chords.  Through a three step process, an Open Chord can be transformed into a movable Bar Chord.  Here are the steps:

STEP 1 - Re-finger the chord so as to leave the first finger available

STEP 2 - Move each finger up a given amount of frets

STEP 3 - Put the Bar in place to raise the open strings the same number of frets

 

For example, the E Major Bar Chord is based on the shape of the Open E Major:
 

E||-----|-----|-----|(open)
B||-----|-----|-----|(open)
G||--1--|-----|-----|
D||-----|--3--|-----|

A||-----|--2--|-----|
E||-----|-----|-----|(open)

 

STEP 1


E||-----|-----|-----|(open)

B||-----|-----|-----|(open)
G||--2--|-----|-----|
D||-----|--4--|-----|

A||-----|--3--|-----|
E||-----|-----|-----|(open)

If we raise the note on each string an equal distance, the quality of the chord (in this case - Major) is maintained.  We know that E to F is a half step, so to begin finding F Major we first move each finger up a half step:

STEP 2
 

E||-----|-----|-----|(open)
B||-----|-----|-----|(open)
G||-----|--2--|-----|
D||-----|-----|--4--|

A||-----|-----|--3--|
E||-----|-----|-----|(open)

Now, we must raise the pitch of each open string an equal distance (half step).  We accomplish this by employing the bar in the first fret:

STEP 3

E||--1--|-----|-----|(open)
B||--1--|-----|-----|(open)
G||--1--|--2--|-----|
D||--1--|-----|--4--|

A||--1--|-----|--3--|
E||--1--|-----|-----|(open)

Because we know the distance from E to F is a half step AND we have raised each note an equal distance, F Major is formed as a result.

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Here is what those three steps look like for Am:

 

STEP 1

E||-----|-----|-----|(open)
B||--2--|-----|-----|
G||-----|--4--|-----|
D||-----|--3--|-----|

A||-----|-----|-----|(open)
E||-----|-----|-----|(not played)


 

STEP 2

E||-----|-----|-----|(open)
B||-----|--2--|-----|
G||-----|-----|--4--|
D||-----|-----|--3--|

A||-----|-----|-----|(open)
E||-----|-----|-----|(not played)


 

STEP 3

E||--1--|-----|-----|(open)
B||--1--|--2--|-----|
G||--1--|-----|--4--|
D||--1--|-----|--3--|

A||--1--|-----|-----|(open)
E||--1--|-----|-----|(not played)*

*Note that the bar is employed for all six strings even though this is a five string chord.  Many players find it more efficient to bar all six strings for five and even four string chords.

 

 

                                          Copyright © 2008 by Thomas Coffey.  All Rights Reserved.

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